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Yes, my intent was to emphasize that lower-than-maximum contrast through paper (and not grey ink) is typical of most high-quality printing, to avoid giving the impression that it implies age, wear, or low quality (pulp/newsprint), which designers probably want to avoid.

(There was an 18th-century fad for extremely high contrast, but fortunately it passed. And current printer/copy paper is excessively bright (often even using fluorescent brighteners), but no one considers photocopies to be the height of good taste.)




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