I am familiar with her background she was sadly later projecting into many/most of her books. I am pretty sure vast majority of Swedish kids was growing back then in complete families without dead mother/father, same as they do nowadays regardless of marriage or divorce status.
Emil of Lönneberga and The Six Bullerby Children are great books, the rest about traumatized kids/orphans not so much as kid books.
As a Swede, I can't read the Emil books because of fremdscham for the parents from those scenes where Emil feels the need to run to the carpentry shed.
The farmer class could actually be like this, before we banned it, even though she tries to write about it in a comical way, but it was always a low class thing to punish ones children and to read stories where it happens is basically intolerable at least to me.
Astrid Lindgren probably knew this though. She isn't some idiot who puts this in as comic relief, it's comic but there's a serious and intolerable feel to it too. She knows she's portraying something bad and she intends for us readers to sit with the dissonance-- the low class going-to-punish-his-children aspect, the family's love for Emil, that book in which his mother writes down what he does, that Emil is well-meaning, that everything goes well in the end and that the adult Emil becomes a nämndeman, etc.
Astrid Lindgren is one of the scariest Swedish authors because of her deliberate careful and nuanced use of moral dissonance. She's scarier than Willem Fredrik Hermans.
according google in 1925 85% Swedish kids were born to married parents
and
"Long-term cohort studies tracking historical Swedish registry data from the early-to-mid 1900s indicate that approximately 2.3% to 3.6% of children experienced the death of a biological parent before reaching adulthood (under 15 to 18 years of age)"
so less than 4% of the kids experienced parental death, absolute majority was born into regular complete families, my point was like half of the Lindgren characters are missing parent for whatever reason, not one in 20 books main characters, she was clearly projecting something unhealthy unrealistic into her books, if she was following reality it would be rare in her books and not that many if not majority of her characters are from incomplete families
it is not that much, it means if she had 25 (4% is 1 in 25, not 1 in 20) main characters, one of them should have dead parent if she would reflect the reality and didn't have some orphan/death fetish with significant number (way way more than 1 in 25 or even 1 in 10) of her characters being orphans/foster/neglected kids
The "if you show a minority in your book, their number must not exceed their exact demographic share" rule would make it impossible to write about any minority.
> if she would reflect the reality and didn't have some orphan/death fetish
The aggressive hostility toward writing about non-majority is super weird.
Emil of Lönneberga and The Six Bullerby Children are great books, the rest about traumatized kids/orphans not so much as kid books.