A couple years ago, I reformatted these for use with the unix "fortune" utility, in case you need oblique strategies on the command line. (I sure do.) https://github.com/threemachines/obliqueMOTD
Its a really cool idea and I think its helpful. However, I've unfortunately realized that I don't really need that kind of creativity in anything I do. I need insight and understanding, I need to actually do the things I want to do, and I need to research solutions, but very rarely do I actually need to be creative in the sense of coming up with completely new ideas to get past a creative block. It was kind of a sad realization.
Yes. Sadly, the kind of help one needs in creative fields is rarely the kind of help one needs in analytic fields.
I've done a lot of programming, and also quite a bit of acting.
The types of thinking "oblique strategies" suggest can be amazing for figuring out a new different way to act a scene -- an absolute goldmine. But they're of absolutely zero use in programming.
Similarly, the kind of logical and analytical thinking that helps in programming... seems to be purely harmful in acting.
It actually took me quite a long time to realize how fundamentally different the kind of thinking needed for creative vs. analytical tasks is. At least for me, there is almost zero useful transference. If anything, being good at one interferes with the other, until you learn to keep the skills separate.
In technical spaces, creative work seems to largely consist of combining ideas and seeing if the combination already exists and/or if it's likely to work in real life.
In my experience, the few times I've the most creative ideas, I had them in the bathroom -- and usually after I've been turning over ideas (writing and rewriting in Google Docs) for days. (Writing helped with converging -- it's not as useful for diverging. Talking to others usually helps for the latter but it's hit or miss.)
Oblique Strategies cards sound like they would be useful for certain artistic domains. When I was taking creative writing and storytelling classes, I had a lot of trouble generating story ideas. I used similar randomizer aids (as writing prompts) to see latent possibilities.
There are similar tools for generating startup ideas but I wonder if anyone's ever executed on any of these:
I have my own deck too. I really enjoy displaying a new card every week on my desk. My friend and I even devised a little ritual when we draw cards. All hail the god of ambient, Brian Eno.
If this is your first introduction to Brian Eno, do yourself a favor and look into his discography. David Bowie’s “Low” is one of my favorite albums of all time (a collaboration with Eno and Tony Visconti. Side point: Visconti created one of the most interesting snare drum sounds of all time on that album.) His solo albums — “Another Green World”, etc — are also amazing.
Brian Eno manages to sneak up on lots of my favorite albums. As you said Bowie's "Low", but also David Byrne's "Everything That Happens Will Happen Today", and even the game Spore's soundtrack!
I've enjoyed Innovative Whackpack and the series [0]. While I can't say it has given me any "breakthroughs", it is a fun exercise to do when you are otherwise stressed out :)
I do wonder to what degree these methods promote creativity just by breaking you out of your normal thought cycles (which may be stuck in a nonproductive spinloop)
Does anyone know of anything similar that's public domain? I'm a little surprised that they're included in gnu/linix utilities as they're copyright Eno and Schmidt.
The default is, of course, Tarot card readings which has a nicely formatted text and some analysis in the dariusk/corpora repo [1]. It'd be nice to have something similar so others can play around with it without fear of copyright infringement.
I’m a big fan of Oblique Strategies, perhaps too big a fan, and I have what is perhaps the most rare edition of them all: the special edition Peter Norton (of Norton Utilities fame) had made as a gift for his friends in 1996. It was never available for purchase but I managed to find one on eBay a few years ago.
It has a very unique case made out of Dupont Corion, a material I’ve never seen anywhere else in my life. It feels and looks like white marble but is actually a form of plastic. Some of the cards have been redesigned in collaboration with Peter Norton and Brian Eno, and there’s a unique intro card too.
I had a hard time buying the cards at first. I think this was due to the fact that creativity is hard to put a value on. I ended up buying two packs (I gave one as a gift), and I can honestly say that I have used them hundreds of times. I think the price of the pack actually forces you to get your money's worth out of it. Being creative in your life is one of the best investments you can make.
Just curious: can you recount a time when a card has broken you out of an idea deadlock in a real life situation?
I can definitely see how this could work (I've used writing prompts in the past and they've helped). Just wondered if there were examples outside of the writing world.
Several years ago I gave myself this rule: Whenever you have to stop because of a red traffic light, you must switch your thoughts and think exactly the opposite of what you were thinking when you were about to cross the street.
I believe it calms me down a bit. I'm often quite incensed about things. Trying to think the opposite allows me to see things from another, or somebody else's viewpoint.
Also, I might get incensed by just the fact that I have to wait for traffic-lights to change! So having a mental task to perform at that time seems to help. It feels more like an opportunity then than obstacle.
I don't do it much these days but now that I read about Eno's oblique strategies maybe I'll give this some more attention :-)
Slightly off topic: Phoenix used these strategies for their Grammy-winning album “Wolfgang Amadeus Phoenix”. Also, MGMT mentions “ The wisdom of oblique stratagems“ (a play on word) in their aptly-named song “Brian Eno”.
For a long time I’ve thought of creating my own version of the deck. I’ve heard it can be used punctually to get out of a dead end, or from the very start through the whole creative process.
A similarly awesome--and much, much less expensive--deck of cards focused on writing by the screenwriter John August (Big Fish, Charlie and the Chocolate Factory, Corpse Bride, Frankenweenie):
It was mainly an experiment to see how changing character spacing could create different forms, and then loosely relating those forms back to the prompts.
I'll delete this post if my home server can't handle it, but I created a personal software design version of this ages back. Click/touch to deal a new answer.
I have an original deck which was given to me in 1984 by a close friend, a recording engineer who had worked with Brian Eno. He'd had tgem for seversl years before he gave them yo me. I should probably figure out what box in which I have them stored away.
I’d be nice to see a picture of an original deck, especially from Brian Eno. Also, I believe the list of messages has changed over the years so it’s be interesting to see which list you have.
If I ever find them, I will photograph them. I do know that I made the mistake of writing my name on the exterior of the box in metallic gold Sharpie—an idiotic thing to do and that I immediately regretted.
Semi off-topic, but I've always wondered if Autechre's Tri Repetae album was named after one of the oblique strategies. The title translates to "Try Repeating", I believe.
